b. 1989, Indianapolis, USA | Based in London, UK

Yambe Tam is a visual artist who creates contemplative experiences that explore the fluid nature of reality through immersive experiences and installations. She builds virtual worlds in the form of experimental video games and interactive experiences, often using immersive technologies such as AR and VR to expand the limits of the human sensorium, revealing other layers of reality and diverse experiences of consciousness on microscopic to planetary scales. Her physical works - which span paintings, sculpture, and room-sized installations - present other ways these realities manifest across spatio-temporal dimensions.

This spectrum of works is united by a sensibility of quietude and wonder, reflecting diverse influences such as science fiction, spacetime geometry, and Japanese gardens. Their experience and structure evoke long durational rituals of purification, restoration, and transcendence, drawing upon Tam’s time spent in Zen Buddhist monasteries. These works, which often require activation and participation from the viewer, push the boundaries of digital and installation art into the fields of spiritual practice, gaming, and experimental research.

Exhibitions of her work include solo exhibition “Cosmic Garden” commissioned by Attenborough Arts Centre, Leicester (2021); group exhibitions “Inside”, Thorp Stavri/Two Temple Place, London (2023); “Uncertain Data”, FACT, Liverpool (2021); “Begin Again”, Koreanisches Kulturzentrum, Berlin, and the Korean Cultural Centre, London (2022-23), among others. She was an artist in residence with the Wellcome Centre for Ethics & Humanities at University of Oxford (2022-23), Abandon Normal Devices’ New Cinema Days (2023), and Jerwood Arts/FACT Digital Fellowship (2021). She is currently Visiting Fellow in Visual Arts with the International Centre for Mathematical Sciences, Edinburgh.


EDUCATION + CREDENTIALS

MA Painting, Royal College of Art, London, UK (2018). Distinction.

BFA Painting / Art History, Theory & Criticism, Maryland Institute College of Art, Baltimore, Maryland (2012). Summa cum laude.

Ojukai, Kanshoji Monastery, Dordogne, FR (2019). Led by Rev. Minamizawa Zenji.


SOLO + DUO EXHIBITIONS

Fusion Arts, Oxford, UK, Merging Minds, May 2023

Attenborough Arts Centre, University of Leicester, Leicester, UK, Cosmic Garden, September - November 2021

Barbican Arts Trust, London, UK, Musica Universalis, September 2019

Raum Z13, Essen, Germany, Eternal Return, March - April 2019


SOLO PERFORMANCES

Chrysalis Arts Development, Gargrave, UK, Glacial Procession, September 2023

Attenborough Arts Centre, University of Leicester, Leicester, UK, Black Hole Meditation, October 2021


SELECTED GROUP EXHIBITIONS

2023

The Art House, Wakefield, UK, Gilbert Bayes Award 2022, July - August 2023

Royal Society of Sculptors, London, UK, Gilbert Bayes Award 2022, May - July 2023

Two Temple Place, London, UK, Inside, January - February 2023

2022

Korean Cultural Centre UK, London, UK, Begin Again, November 2022 - January 2023

Koreanisches Kulturzentrum, Berlin, DE, Begin Again, July - August 2022

Broomhill Estate Sculpture Gardens, Barnstaple, UK, In Harmony, June 2022 - April 2023

WASD, Tobacco Dock, London, UK, WASD Curios, April 2022

2021

Artsformation, Online, Liverpool, and Amsterdam, Transformer Summit: Framework for Trust, September 2021

Foundation for Art and Creative Technology (FACT), Liverpool, UK, Uncertain Data, September - October 2021

Lewisham Art House, London, UK, Entanglements in Time, curated by Kristine Tan & Mariana Lemos, August 2021

City Museum of Ljubljana, Ljubljana, SI, When in Doubt, Go To A Museum, January - May 2021

2020

Museo Nacional Thyssen-Bournemisza, Madrid, ES, How to Tread Lightly: st_age expanded, October 2020 - January 2021

Ocean Space, Venice, IT; st_age, online, freq_wave, commissioned by TBA21-Academy, August 2020

Subsidiary Projects, London, UK, The Potion Room, February 2020

2019

The Dark Hour Collective/Safehouse 2, London, UK, The Invisible, April 2019

Lumen/The Pie Factory, Margate, UK, The Cosmic Sublime, April 2019

2018

Barbican Arts Trust, London, UK, ArtWorks Open 2018, curated by Tai Shani & Emma Talbot, November 2018

Zero Corners/Gallery 46, London, UK, The Salamander Devours Its Tail Twice, November - December 2018

Subject Matter/The Hospital Club, London, UK, We See You, We Hear You, October 2018

Royal College of Art, London, UK, Show 2018, June 2018

Lumen/Ugly Duck, London, UK, Cosmic Perspectives, May 2018

2016

Holtzman and Center for the Arts Galleries, Towson University, Towson, MD, Mission Universe, May 2016

2015

VisArts Center, Rockville, MD, Gen-Y 2.0, June - August 2015

Hiestand Galleries, Miami University, Oxford, OH, William & Dorothy Yeck Award, January 2015

2013

VisArts Center, Rockville, MD, Mixtopias, curated by Fletcher Mackey, April 2013


TALKS + LIVE EVENTS

7th Annual Black Hole Initiative Conference, Harvard University, Cambridge, USA, May 2024

The Maths Summit, Science Museum, London, UK, March 2024

Visualising 4D Workshop, International Centre for Mathematical Sciences, University of Edinburgh & Heriot-Watt University, Edinburgh, UK, January 2024

Sculpture Slam, Royal Society of Sculptors, London, UK, June 2023

Multi-mind Games Event, Big Data Institute, University of Oxford, Oxford, UK, February 2023

Women of Spatial Summit, Verizon 5G Labs & WXR Fund, online, August 2020


SELECTED BIBLIOGRAPHY

Tarasova, Olga, “Inside: Incorporeality of Art and Architecture”, Trebuchet, 3 May 2023.

“Q&A with New Cinema Days artist, Yambe Tam”, Abandon Normal Devices, 17 April 2023.

“New Indie Games: Our Picks from W.A.S.D. Curios”, PCGamesN, 6 April 2022.

Kirk-Smith, Patrick, “Review: Uncertain Data: a brief meditation at FACT”, Art in Liverpool, 1 Oct 2021.

Binns, Leah, “Uncertain Data”, Corridor8, 30 Sept 2021.

Lemos, Mariana, “Curators Conversations: Entanglements in Time”, Mercurius Magazine, 15 Aug 2021.

Zyman, Daniela and TBA21-Academy, eds., Oceans Rising. A Companion to Territorial Agency’s Oceans in Transformation, Berlin: Sternberg Press, 2021.

Tam, Yambe, “Everything Is Forever Until It Is No More”, Julie’s Bicycle, 9 April 2020.

On The Potion Room: A discussion between Natalia González Martín, Nina Silverberg and Georgia Stephenson”, Assemblage Magazine, 25 February 2020.

Pavylyuk, Kateryna, “Interview”, DATEAGLE ART, 3 February 2020.

Pavylyuk, Kateryna, “Studio Visit”, DATEAGLE ART, 3 February 2020.

Gammer-Flitcroft, Harry and Stewart Hardie, “The Scaffold”, Folium, Issue 2, November 2019.

Shropshire, Simek. “Yambe Tam.” Floorr Magazine, Issue 20. 13 June 2019.

Augustijn, Marlies, “Salamanders and the Vicious Circle of Sociocultural Pressure”FAD Magazine, 28 November 2018.

Ahearn, Mary. “Gender is not a Genre: ‘We See You, We Hear You’ Exhibition Review.” Medium. 12 October 2018.


RESIDENCIES + FELLOWSHIPS

Visiting Fellowship in Visual Arts, International Centre for Mathematical Sciences, University of Edinburgh & Heriot-Watt University, 2023-24

New Cinema Days, Abandon Normal Devices, Manchester, UK, 2023

The Art Depot, Chrysalis Arts, Gargrave, UK, 2023

Wellcome Centre for Ethics & Humanities, University of Oxford, Oxford, UK, 2022-23

Thorp Stavri x Two Temple Place, London, UK, 2022

Jerwood Arts / FACT Digital Fellowship, Liverpool, UK, 2020-21

The Coastline Project, Sail Britain, Isle of Skye, Scotland, UK, 2018

New York Studio Residency Program, New York, USA, 2009


SELECTED AWARDS

Artist Bursary, a-n The Artists Information Company, London, UK, 2023

Creative Access x McLaren Racing Bursary, Creative Access, London, UK, 2022

WASD Curios - Official Selection, WASD, London, UK, 2022

Gilbert Bayes Award (2022), Royal Society of Sculptors, London, UK, 2021

National Lottery Project Grant, Arts Council England, London, UK, 2020, 2021

Grant, Foundation for Contemporary Arts, New York, USA, 2020

Artist + Activist Grant, The Soze Foundation, New York, USA, 2020

The Leftfield Collection - Official Selection, EGX Rezzed, London, UK, 2020

Developing Your Creative Practice Grant, Arts Council England, London, UK, 2019

First Place, Barbican Arts Group Trust Artworks Open, London, UK, 2018

Public art commission, Indianapolis International Airport, Indianapolis, USA, 2015

William & Dorothy Yeck Award, Hiestand Galleries, Miami University, Oxford, USA, 2015